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align=justify><FONT face=±Ã¼ color=fuchsia
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align=justify><FONT face=±Ã¼ size=6><FONT
color=fuchsia>ÀºÃÑÀÇ »ç¼øÀÌ
µÇ½Ã±â¸¦....<BR></FONT></P></FONT>
<P
style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px; LINE-HEIGHT: 7mm"
align=justify><BR><FONT size=3><IMG
src="http://www.ibiblio.org/wm/paint/auth/piero/flagellation.jpg"
width=850><BR>Piero della Francesca, The
Flagellation<BR>c. 1469 Oil and tempera on panel
58.4 x 81.5 cm Galleria Nazionale delle Marche,
Urbino<BR><BR>(¸¶ 26:67) ÀÌ¿¡ ¿¹¼öÀÇ ¾ó±¼¿¡ ħ ¹ñÀ¸¸ç ÁÖ¸ÔÀ¸·Î Ä¡°í
ȤÀº ¼Õ¹Ù´ÚÀ¸·Î ¶§¸®¸ç <BR>(¸¶ 26:68) °¡·ÎµÇ ±×¸®½ºµµ¾ß ¿ì¸®¿¡°Ô ¼±ÁöÀÚ
³ë¸©À» Ç϶ó ³Ê¸¦ Ä£ ÀÚ°¡ ´©±¸³Ä ÇÏ´õ¶ó <BR>Then did they spit in
his face, and buffeted him; and others smote him
with the palms of their hands,<BR>Saying,
Prophesy unto us, thou Christ, Who is he that
smote thee?<BR><BR>Matthew 26:67-68 <BR><BR><IMG
src="http://www.ibiblio.org/wm/paint/auth/greco/spoliation.jpg"><BR>El
Greco, The spoliation<BR>1577-1579 Oil on canvas
285 x 173 cm Sacristy of the Cathedral of
Toledo<BR><BR>(¸¶ 27:27) ¡Û ÀÌ¿¡ Ãѵ¶ÀÇ ±ºº´µéÀÌ ¿¹¼ö¸¦ µ¥¸®°í °üÁ¤
¾ÈÀ¸·Î µé¾î°¡¼ ¿Â ±º´ë¸¦ ±×¿¡°Ô·Î ¸ðÀ¸°í <BR>(¸¶ 27:28) ±×ÀÇ ¿ÊÀ» ¹þ±â°í
È«Æ÷¸¦ ÀÔÈ÷¸ç <BR>(¸¶ 27:29) °¡½Ã ¸é·ù°üÀ» ¿«¾î ±× ¸Ó¸®¿¡ ¾º¿ì°í °¥´ë¸¦ ±×
¿À¸¥¼Õ¿¡ µé¸® °í ±× ¾Õ¿¡¼ ¹«¸À» ²Ý°í Èñ·ÕÇÏ¿© °¡·ÎµÇ À¯´ëÀÎÀÇ ¿ÕÀÌ¿© Æò¾ÈÇÒÁö¾î´Ù
Çϸç <BR>Then the soldiers of the governor took
Jesus into the common hall, and gathered unto
him the whole band of soldiers.<BR>And they
stripped him, and put on him a scarlet
robe.<BR>And when they had platted a crown of
thorns, they put it upon his head, and a reed in
his right hand: and they bowed the knee before
him, and mocked him, saying, Hail, King of the
Jews!<BR><BR>Matthew 27:27-29 <BR><BR><IMG
src="http://artchive.floridaimaging.com/c/corinth/corinth_ecce_homo.jpg"><BR>Corinth,
Lovis, Ecce Homo<BR>1925 Oil on canvas 189 x 148
cm (74 3/4 x 58 1/4 in.) Kunstmuseum Basel
<BR><BR>(¿ä 19:4) ºô¶óµµ°¡ ´Ù½Ã ¹Û¿¡ ³ª°¡ ¸»Ç쵂 º¸¶ó ÀÌ »ç¶÷À» µ¥¸®°í
³ÊÈñ¿¡°Ô ³ª¿À³ª´Ï ÀÌ´Â ³»°¡ ±×¿¡°Ô¼ ¾Æ¹« Á˵µ ãÁö ¸øÇÑ °ÍÀ» ³ÊÈñ·Î ¾Ë°Ô ÇÏ·Á
ÇÔÀ̷δ٠ÇÏ´õ¶ó <BR>(¿ä 19:5) ÀÌ¿¡ ¿¹¼ö²²¼ °¡½Ã ¸é·ù°üÀ» ¾²°í ÀÚ»ö ¿ÊÀ»
ÀÔ°í ³ª¿À½Ã´Ï ºô¶óµµ°¡ ÀúÈñ¿¡°Ô ¸»Ç쵂 º¸¶ó ÀÌ »ç¶÷À̷δ٠ÇϸŠ<BR>Pilate
therefore went forth again, and saith unto them,
Behold, I bring him forth to you, that ye may
know that I find no fault in him.<BR>Then came
Jesus forth, wearing the crown of thorns, and
the purple robe. And Pilate saith unto them,
Behold the man!<BR><BR>John 19:4-5 <BR><BR>(¿ä
19:17) ¡Û ÀúÈñ°¡ ¿¹¼ö¸¦ ¸ÃÀ¸¸Å ¿¹¼ö²²¼ ÀÚ±âÀÇ ½ÊÀÚ°¡¸¦ Áö½Ã°í ÇØ°ñ {È÷ºê¸®
¸»·Î °ñ°í´Ù}À̶ó ÇÏ´Â °÷¿¡ ³ª¿À½Ã´Ï<BR>And he bearing his cross
went forth into a place called the place of a
skull, which is called in the Hebrew
Golgotha<BR><BR>John 19:17 <BR><BR><IMG
src="http://www.ibiblio.org/wm/paint/auth/mantegna/calvary.jpg"><BR>Mantegna,
Andrea,Calvary<BR>1457-60 Wood 30 x 38 in. (76 x
96 cm) Musee du Louvre, Paris<BR><BR>(´ª 23:33)
ÇØ°ñÀ̶ó ÇÏ´Â °÷¿¡ À̸£·¯ °Å±â¼ ¿¹¼ö¸¦ ½ÊÀÚ°¡¿¡ ¸ø ¹Ú°í µÎ Çà¾ÇÀÚµµ ±×·¸°Ô ÇÏ´Ï
Çϳª´Â ¿ìÆí¿¡ Çϳª´Â ÁÂÆí¿¡ ÀÖ´õ¶ó <BR>And when they were come
to the place, which is called Calvary, there
they crucified him, and the malefactors, one on
the right hand, and the other on the
left.<BR><BR>Luke 23:33 <BR><BR><IMG
src="http://artchive.floridaimaging.com/r/rembrandt/rembrandt_raising_of_the_cross.jpg"><BR>Rembrandt
van Rijn,The raising of the cross<BR>c. 1633 Oil
on canvas 96.2 x 72.2 cm Bredius 548 Alte
Pinakothek, Munich <BR><BR><IMG
src="http://artchive.floridaimaging.com/r/rubens/rubens_elevation.jpg"><BR>Rubens,
Peter Paul,The Elevation of the Cross<BR>c.
1610-11 Central panel of triptych altarpiece 462
x 341 cm Cathedral, Antwerp <BR><BR>(¸¶ 27:35)
ÀúÈñ°¡ ¿¹¼ö¸¦ ½ÊÀÚ°¡¿¡ ¸ø ¹ÚÀº ÈÄ¿¡ ±× ¿ÊÀ» Á¦ºñ »Ì¾Æ ³ª´©°í <BR>And they
crucified him, and parted his garments, casting
lots: that it might be fulfilled which was
spoken by the prophet, They parted my garments
among them, and upon my vesture did they cast
lots.<BR><BR>Matthew 27:35 <BR><BR><IMG
src="http://www.ibiblio.org/wm/paint/auth/gauguin/gauguin.christ-jaune.jpg"><BR>Gauguin,
Paul,The Yellow Christ (Le Christ jaune)<BR>1889
Oil on canvas 36 1/4 x 28 7/8 in. (92.1 x 73.4
cm) Albright-Knox Art Gallery, Buffalo, NY
<BR><BR><IMG
src="http://artchive.floridaimaging.com/d/david_g/david_crucifixion.jpg"><BR>David,
Gerard,The Crucifixion<BR>c. 1515 Oak 55 x 39 in
(141 x 100 cm) Gemaeldegalerie, Berlin
<BR><BR>(¸· 15:25) ¶§°¡ Á¦ »ï½Ã°¡ µÇ¾î ½ÊÀÚ°¡¿¡ ¸ø¹ÚÀ¸´Ï¶ó <BR>And
it was the third hour, and they crucified
him.<BR><BR>Mark 15:25 <BR><BR><IMG
src="http://artchive.floridaimaging.com/n/nolde/crucifixion.jpg"><BR>Emil
Nolde, Crucifixion<BR>1912 Oil on canvas 220.5 x
193.5 cm Nolde-Stiftung Seebull<BR><BR>(¸· 15:33)
Á¦ À°½Ã°¡ µÇ¸Å ¿Â ¶¥¿¡ ¾îµÎ¿òÀÌ ÀÓÇÏ¿© Á¦ ±¸½Ã±îÁö °è¼ÓÇÏ´õ´Ï <BR><BR>And
when the sixth hour was come, there was darkness
over the whole land until the ninth
hour.<BR><BR>Mark 15:33 <BR><BR><IMG
src="http://user.chollian.net/~nereizel/artgallery/dalitext/dalipic/crucifixion-Hypercubic%20Body.jpg"><BR>Salvador
Dali, Crucifixion ('Hypercubic Body')<BR>1954
Oil on canvas 194.5 x 124 cm Metropolitan Museum
of Art, New York <BR><BR>(¸· 15:34) Á¦ ±¸½Ã¿¡ ¿¹¼ö²²¼ Å©°Ô
¼Ò¸®Áö¸£½ÃµÇ ¿¤¸® ¿¤¸® ¶ó¸¶ »ç¹Ú´Ù´Ï ÇÏ½Ã´Ï À̸¦ ¹ø¿ªÇÏ¸é ³ªÀÇ Çϳª´Ô ³ªÀÇ Çϳª´Ô
¾îÂîÇÏ¿© ³ª¸¦ ¹ö¸®¼Ì³ªÀ̱î ÇÏ´Â ¶æÀ̶ó <BR><BR>And at the ninth
hour Jesus cried with a loud voice, saying,
Eloi, Eloi, lama sabachthani? which is, being
interpreted, My God, my God, why hast thou
forsaken me?<BR><BR>Mark 15:34 <BR><BR><IMG
src="http://www.ibiblio.org/wm/paint/auth/grunewald/crucifixion/crucifixion.jpg"><BR>Grunewald,
The Crucifixion<BR>1515 Panel from the Isenheim
altarpiece: oil on wood 269 x 307 cm (105 7/8 x
120 7/8 in.) Musee d'Unterlinden,
Colmar<BR><BR>¸· 15:37) ¿¹¼ö²²¼ Å« ¼Ò¸®¸¦ Áö¸£½Ã°í ¿î¸íÇϽôÙ
<BR><BR>And Jesus cried with a loud voice, and
gave up the ghost.<BR><BR>Mark 15:37
<BR><BR><IMG
src="http://artchive.floridaimaging.com/c/cranach/lamentation.jpg"><BR>LUCAS
the Elder CRANACH, The Lamentation<BR>1538 Oil
on panel 23 3/4 x 15 3/4 in. Museum of Fine
Arts, Boston<BR><BR><IMG
src="http://www.ibiblio.org/wm/paint/auth/giotto/mourning-christ/mourning-christ.jpg"><BR>Giotto
di BONDONE,The Mourning of Christ<BR>c. 1305
Fresco Cappella dell'Arena, Padua <BR><BR>(¸¶
27:55) ¿¹¼ö¸¦ ¼¶±â¸ç °¥¸±¸®¿¡¼ºÎÅÍ ÁÀ¾Æ ¿Â ¸¹Àº ¿©ÀÚ°¡ °Å±â ÀÖ¾î ¸Ö¸®¼
¹Ù¶óº¸°í ÀÖÀ¸´Ï <BR>(¸¶ 27:56) ±× Áß¿¡ ¸·´Þ¶ó ¸¶¸®¾Æ¿Í ¶Ç ¾ß°íº¸¿Í ¿ä¼ÁÀÇ
¾î¸Ó´Ï ¸¶¸®¾Æ¿Í ¶Ç ¼¼º£´ëÀÇ ¾ÆµéµéÀÇ ¾î¸Ó´Ïµµ ÀÖ´õ¶ó <BR><IMG
src="http://artchive.floridaimaging.com/r/rubens/rubens_descent.jpg"><BR>Peter
Paul Rubens, The Descent from the
Cross<BR>1611-14 Oil on panel (Central panel of
triptych altarpiece) 420 x 310 cm Cathedral,
Antwerp<BR><BR>And he bought fine linen, and
took him down, and wrapped him in the linen, and
laid him in a sepulchre which was hewn out of a
rock, and rolled a stone unto the door of the
sepulchre.<BR>Mark 15:46
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